Blockfish is a versatile compressor with countless ways to shape the incoming audio.
Unlike many other digital compressors, Blockfish has 'soul'. It likes to bite, but it can be tamed easily once you've learned how to use its potential.

You can remove the front plate and make further adjustments on the circuit board.
Everything is possible: clean, transparent, loud, punchy, silky, subtle, fat. But still with a unique sonic character.

*Two independent frequency bands (low and high frequency processing)
*Switchable stereo or M/S mode operation
*Two basic compressor designs:
1: Modern vca mode with soft-knee characteristics and manual time constants. This mode provides an instant response behaviour and deep compression, using a feed-forward circuit
2: Vintage-style opto (photo resistor) mode, modelled after ancient opto-electrical compressors. The time constants stay manually set, but they are also affected by the signal's energy. This mode has the typical opto-style 'overshoot' on quick transients, this is one of the most gentle compressors you may find. Classical feed-back detector circuit
*Adjustable high-level output stage with analog-style saturation
*Global 'de-comp/sat' section. It's you who decides how the unit reacts to large amounts of gain reduction as well as when and how to saturate.
*Maximum output: -0.1dBFS. This is very helpful when using the plugin as the last stage before burning the CD.

Spitfish is a dead-easy to use de-esser, aimed mainly at mono or stereo vocal tracks. Just like classic analog de-essers, this unit dynamically filters out harsh, annoying s-like sounds that would otherwise 'spit' in your face.

FLOORFISH is a simple expander / gate device, easy to set up and offers a broad variety of processing, ranging from slight expansion, backgound noise attenuation to extreme gating effects.
What's different from similar units is the ability to scan the source and adjust the transistion curve accordingly.