Do you like Pressure, the free version of this plugin, but you want more flexibility? Well, with More Pressure you can tweak a variety of compressor settings to get the sound that you want. It's only $5.00. Payments are accepted through PayPal.
What exactly is More Pressure? Have you ever wanted a mastering compresssor that was dead-easy to use? A compressor that just made things louder without having to worry about the best Ratio, Attack, and Release settings for a specific task, but provided a way for adjusting these settings? A compressor that didn't over-compress attack transients, robbing your track of all the excitement of explosive hits? A compressor that was downright freaky looking?
Well, More Pressure is the compressor for you. Using a technique called upward compression, More Pressure increases the level of quiet portions in a mix without reducing the level of attack transients like a traditional compressor. There are just 3 main parameters: Amount of compression, look-ahead, and gain control. If you want to really get freaky, you can use the "tweak" controls. It couldn't be easier.
Don't get confused - this is not multi-band compression. Neodynium is an entirely different beast. Why always apply the same compression to all audio levels? Compress the louder levels with a quick attack; expand the lower levels with a slow release and leave the mid level sounds alone. Try it with a traditional compressor - you won't get far. Neodynium lets you break your audio levels up into "zones" so you can control them exactly how you want. No one size fits all compression here.
Processing * Four (4) individual, completely user configurable compression "zones" w/ separate attack, release, and ratio per zone * Supports sampling rates up to 192 kHz * Works in mono or stereo * Side-chain (depending on host support*) * User selectable key (left, right, both, side-chain*) * Peak or RMS compression analysis of key * Look-ahead * Auto-Limiter * Three (3) audition modes * Up to three key filters * Seven (7) filter types available * Automatic gain compensation * Target and processed key meters * Input and output "cloud" meters * Input and output peak hold meters with over indicators * Input and output trim with +/- 36 dB boost/cut * Multi-processor/Advanced multi-processor (AMP) capable
Interface * Interactive graphic compression display * Ratio, attack and release sliders * Zone linking - links contiguous zones to maintain relationships * Attack and release lock to maintain same value for multiple zones * Interactive key filter graph * Keyboard text entry of parameter values
General * Integrated SAVE and LOAD * Two workspaces * Copy settings to other workspace or completely clear them * Presets including: - Snare - De-Ess - Vocals - Drums, - Full Mix, and more * Supports host based parameter automation * Supports Pro Tools D-Control * Plug-In formats supported: Mac OS X: VST, Audio Unit (AU), RTAS Windows: VST, RTAS
Have you ever wanted a mastering compresssor that was dead-easy to use? A compressor that just made things louder without having to worry about the best Ratio, Attack, and Release settings for a specific task? A compressor that didn't over-compress attack transients, robbing your track of all the excitement of explosive hits? A compressor that was downright freaky looking?
Well, Pressure is the compressor for you. Using a technique called upward compression, Pressure increases the level of quiet portions in a mix without reducing the level of attack transients like a traditional compressor. There are just 3 parameters: Amount of compression, look-ahead, and gain control. It couldn't be easier.
RubyTube simulates tube preamps for those that can’t forget. If you are missing that subtle sparkling and compression that you get when using ancient audio equipment, RubyTube might be something for you. And like many other good things in life, RubyTube is free.
RubyTube is a real time, digital tube amp simulator. RubyTube simulates the saturation effect that can be found in audio equipment with vacuum tubes. This effect is usually hardly noticable but it is responsible for the classic tube sound. Sometimes its just a sparkle on the voice and a slight compression of drums and bass that makes the difference between a neutral recording and a warm and full sounding song.
Simulating tube sound with non-tube equipment is difficult but it is possible. RubyTube is not the first such simulator but compared to other tube simulators and distortion units, RubyTube has a very high resolution and a well-balanced spectrum of harmonic distortion.
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